Please use this identifier to cite or link to this item: http://111.93.204.14:8080/xmlui/handle/123456789/21
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dc.contributor.authorRoy Manna, Sujata-
dc.date.accessioned2019-04-24T09:05:16Z-
dc.date.available2019-04-24T09:05:16Z-
dc.date.issued2016-02-
dc.identifier.issn2455 6319-
dc.identifier.urihttp://hdl.handle.net/123456789/21-
dc.description.abstractIndian classical music is divided into two streams, Hindustani music and Carnatic music. Though the rules and regulations of the Indian Shastras provide both bindings and liberties for the musicians, one can use one’s innovations while performing. As the Indian music requires to be learnt under the guidance of Master or Guru, scriptural guidelines are never sufficient for a learner.en_US
dc.language.isoenen_US
dc.publisherAnudhyan: An International Journal of Social Sciences (AIJSS)en_US
dc.subjectRagasen_US
dc.subjectNorth Indian Classical Musicen_US
dc.subjectAlapaen_US
dc.subjectThataen_US
dc.titleThe Thaat-Ragas of North Indian Classical Music: The Basic Attempt to Performen_US
dc.typeArticleen_US
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