dc.contributor.author |
Roy Manna, Sujata |
|
dc.date.accessioned |
2019-04-24T09:05:16Z |
|
dc.date.available |
2019-04-24T09:05:16Z |
|
dc.date.issued |
2016-02 |
|
dc.identifier.issn |
2455 6319 |
|
dc.identifier.uri |
http://hdl.handle.net/123456789/21 |
|
dc.description.abstract |
Indian classical music is divided into two streams, Hindustani music and Carnatic music. Though the rules and regulations of the Indian Shastras provide both bindings and liberties for the musicians, one can use one’s innovations while performing. As the Indian music requires to be learnt under the guidance of Master or Guru, scriptural guidelines are never sufficient for a learner. |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
Anudhyan: An International Journal of Social Sciences (AIJSS) |
en_US |
dc.subject |
Ragas |
en_US |
dc.subject |
North Indian Classical Music |
en_US |
dc.subject |
Alapa |
en_US |
dc.subject |
Thata |
en_US |
dc.title |
The Thaat-Ragas of North Indian Classical Music: The Basic Attempt to Perform |
en_US |
dc.type |
Article |
en_US |